gamble and huff recording studio

-- or Mother Father Sister Brother -- were a Philadelphia-based collective drawn together through their studio work for the legendary songwriting team Gamble and Huff. Kenneth Gamble, Tyrese Gibson and Leon Huff attend NARM Convention Awards Dinner at the Hyatt Regency Century Plaza on May 12, 2011 in Century City,. Their music has been featured prominently in television programs ("The Apprentice"), films ("The Nutty Professor") and advertising spots (Coors, Verizon, Old Navy, The Gap) for more than 30 years, entering the musical DNA of contemporary culture. Found inside – Page 163Inside the Great Recording Studios Jim Cogan, William Clark ... From day one , Joe Tarsia had been in the studio almost around the clock , working with Gamble and Huff into the wee hours of the morning . And although Joe's son , Michael ... Nothing is going to stop us.". In Won't Get Fooled Again: The Who From Lifehouse To Quadrophenia, noted rock writer and historian Richie Unterberger documents this intriguing period in detail, drawing on many new interviews; obscure rare archive sources and recordings; ... PHILADELPHIA, PA—Since 1971, the iconic blue neon sign flashing “Philadelphia International Records” over the studio at 309 S. Broad St. has welcomed some of Philadelphia’s greatest soul artists for recording sessions at the city’s famed studio. The duo found they had common interests in songwriting and production, so Gamble and Huff formed a production company with offices in the Shubert Theatre; and began a songwriting partnership that exists to this day. By the time his father was building his own studio Michael was by his side stripping wires, assembling components and running for coffee. gamble and leon huff in philadelphia international recording studios. Celebrity profiler Joel Brokaw is working on their biography, and there's much to cover, like Huff's days as a busy studio pianist in the early '60s or playing for producer Phil Spector on The Ronettes' "Baby, I Love You." "But what's most important is that we will build it again and continue to rebuild. Found inside – Page 138... Records recording session at world-famous Sigma Sound Studios in Philadelphia, Kenneth Gamble is at ease behind the 32-track console. Though not locked into a 9-to-5, suit-and-tie job, Gamble and his partner of 15 years, Leon Huff, ... Kenneth Gamble and Leon Huff, the founders of Philadelphia International Records, met in 1964 while they were both playing as session musicians for various labels, including Philadelphia based Cameo-Parkway Records, whose building would later become home to Philadelphia International Records' recording studio. Update your browser to view this website correctly. Chuck Gamble, Kenny's nephew and the executive vice president of the company, said he also heard other folks were seen running from the building. The songwriters and producers Kenny Gamble and Leon Huff's Black-owned label Philadelphia International Records turned a city's aesthetic into a movement that reverberated around the world. Found inside – Page 20According to Joe Nicolo, one difficulty peculiar to Philadelphia studios is what he terms the "Sigma stigma," referring to the city's best- known recording studio, famous for its involvement with Kenny Gamble and Leon Huff and the soul ... Sigma's sound was as distinctive as Stax/Volt in Memphis and Motown in Detroit, and it attracted the notice of Dusty Springfield, Todd Rundgren, and David Bowie . M.F.S.B. Gamble and Huff arranged some recording time at Cameo-Parkway Studios, and brought the Soul Survivors in to record a custom-written song, "Expressway To Your Heart." With its car-horn introduction, thick bouncing bass, and plaintive, emotional vocals by Charles and Richard Ingui, "Expressway To Your Heart" (Crimson 1010) drove up the charts to . Its functionality will ultimately be determined by fire officials and PIR technicians. It's been a tremendous part of our lives. As a major recording studio... Philadelphia International Records, more popularly known as Gamble & Huff Studios, was founded in Philly in 1971 by writers and producers Kenneth Gamble and Leon Huff. Just as Motown and STAX were closely associated with a specific sound from a specific city (Detroit and Memphis) in the 1960s and early 1970s, Kenny Gamble and Leon Huff created "The Sound Of Philadelphia" in the 1970s, catapulting Philadelphia International Records (PIR) to worldwide fame. In 1999, four years after being inducted into the National Academy of Songwriters' Hall of Fame, Gamble & Huff were honored by the National Academy of Recording Arts and Sciences with the Trustees Award for their extensive body of work, both as producer and songwriter, and their contribution to the entire fabric of popular music. Gamble, Huff and Bell crafted chart-topping singles by the O'Jays, Harold Melvin & the Blue Notes, Teddy Pendergrass, Billy Paul and other R&B acts during the '70s and '80s. Having backed the best of the Philly soul crop (including the Spinners and the O'Jays), M.F.S.B. Gamble and Huff helped engineer a unique sound that prompted some of music's biggest names to record at their former recording studio at 309 S. Broad Street. M.F.S.B. In 1965, Huff joined Gamble's band . And it's been like that ever since." From that point onward, Gamble and Huff became the hottest independent R&B producing team of the late 1960's. Gamble & Huff consider it a "blessing" that the third floor recording studio, where countless hit songs were partially created in conjunction with Sigma Sound Studios, appears to have suffered . Kenneth Gamble (born August 11, 1943, Philadelphia, Pennsylvania) and Leon A. Huff (born April 8, 1942, Camden, New Jersey) are an American songwriting and production team credited for developing the Philadelphia soul music genre (also known as Philly sound) of the 1970s. Found inside – Page 4Format of the spot is quick cuts between the album cover and Preston in the studio recording it. ... Gamble and Leon Huff's Columbia-distributed Philadelphia International label currently has hits with the O'Jays, Harold Melvin and the ... Like Motown and Stax-Volt, the style known as "Philly Soul" was born largely of one label, in this case the city's own Philadelphia International Records, headed by the songwriting and production team of Kenneth Gamble and Leon Huff. Gamble & Huff created and are credited for launching one of the most celebrated and historic songwriting partnerships that spawned into a sophisticated sound lovingly crafted in the studio by some of the 20th century's most influential producers and studio teams -- including Kenneth Gamble and Leon Huff, Thom Bell, Linda Creed, Gene McFadden . Found inside – Page 912In 1968 engineer Joe Tarsia took over a mediocre local studio, Sound Plus, and transformed it into Sigma Sound Studios, which would soon become the home of all sessions conducted by Gamble, Huff, and Bell. For the next few years Gamble ... They collaborated for many years. Produced by: Gamble and Huff. Leon Huff talks Gamble & Huff's 10 greatest recordings of all time. Many years later, Huff told a radio audience listening to WBLS that "…we were drawn to each other like magnets…." Found inside – Page 273See also recording equipment; sound systems Estefan, Gloria, 16 173 Everclear, 183 expenses. ... 192 Fromholz, Steve, 177 Fugazi, 13, 106 Gamble and Huff, 169 Garcia, Jerry, 175 Gateway Studio, 114 Gaye, Marvin, 167 Geffin Records, ... Found insideHe and his piano-playing pal Leon Huff hoped they might both get a break there as songwriters. When Cameo vanished from the industry's landscape, Kenny Gamble was poised to create his own studio productions. He began with a group called ... InGamble and Huff were awarded their first Grammy The Philadelphia Fillies - Various - Super Hits Country (Original Artists) 1970s (Vinyl. “Here’s an entity that my uncle and his partner created some 50 years ago…. A mastering facility and recording studio founded during March of 1963 by Frank Virtue in Philadelphia, Pennsylvania. Founded by Rock and Roll Hall of Fame producer/songwriters Kenneth Gamble and Leon Huff, the studio/record label headquarters became known as the birthplace of the “Sound of Philadelphia,” with singles including “Love Train” by the O’Jays, “TOSP (The Sound Of Philadelphia)” by MFSB, and “Ain’t No Stoppin’ Us Now” by McFadden & Whitehead, produced on site. The string arrangements. Found insideThe recording sessions at Gamble and Huff's home base, Sigma Sound Studios, took about a month. Gamble remembers that a tired Nyro sometimes begged off the daily session after a couple of hours. “We tried to push her as hard as we could ... We also spoke of his relationship with the legendary songwriting and production team Gamble and Huff, as well as his approach to recording The O'Jays, Harold Melvin & The Blue Notes, Lou Rawls, The Jacksons and hundreds of other artists. Having backed the best of the Philly soul crop (including the Spinners and the O'Jays), M.F.S.B. Found inside – Page 24Down in Winter Park, Fla., Bee Jay Recording Studios has been busy with sessions for writer Bill Lynch, who surfaced ... by those anonymous wizards of Philadelphia, the 10-member studio rhythm section of writer-producers Gamble & Huff. Kenneth Gamble was age 20 and had a harmony group called "Kenny Gamble and the Romeos," when he found himself in the same elevator at a recording studio as 19-year-old Leon Huff, who was working as a session pianist. Sharing his principles and trials to success with other musicians is what Robert “Boogie” Bowles endeavors in his autobiography, which commemorates 25 years of playing guitar for Motown legend Smokey Robinson. Found insideI knew I was taking a chance but Thorn Bell and Gamble and Huff were doing real well and I had firm relation ships with those ... A founder of Frankford/ Wayne Recording Labs, a disk mastering studio, he is in charge of Sigma's pool of ... We were writing some songs for another group, the Sapphires. Found inside – Page 180on the wings of renowned producers Kenny Gamble and Leon Huff. ... in 1961 to the calm of L.A., where they sang backup at a local recording studio and began performing in flashy, neon-lit Las Vegas clubs like Dunes and Thunderbird. They were the studio where most of the the great Gamble and Huff Sound of Philadelphia music was recorded. Found inside – Page 103Femme Fatale Engineers: Steve Sykes John Agnello Mark Kovach Producers: Kenny Gamble Leon Huff Lemel Humes Artist: Miki Howard Studios: Studio 56 The Soundtrack Facility Messina Music New York Music Deli, Ltd. Music For The People ... Huff: Gamble came over to my house in Camden, N.J., because I had a piano, and we sat down and wrote about 20 songs in a first sitting. ! Your California Privacy Rights / Privacy Policy. They worked with a host of celebrated recording . Arranged by: Thom Bell and Bobby Martin. i wondered at that time did they ever dream they would become . After suffering a devastating arson fire back in 2010, when an inebriated man broke into the studio’s offices and set fire to it, destroying much of the facility’s priceless memorabilia, the studio was unable to repair the building. As a result of this first session, Gamble & Huff decided to use the Sigma Sound Studios as their recording base. Its functionality will ultimately be determined by fire officials and PIR technicians. "Our space has been violated by someone who chose to set fire to it," said Gamble & Huff in a joint statement. Singer Raphael Saadiq visits the Rock and Roll Hall of Fame Inductees Gamble and Huff's recording studio to record a cover version of The Intruders'. Gamble, Huff, and Bell's style of music expanded to the entire city. MFSB, officially standing for "Mother Father Sister Brother", was a pool of more than 30 studio musicians based at Philadelphia's Sigma Sound Studios.They worked closely with the production team of Gamble and Huff and producer/arranger Thom Bell, and backed up such groups as Harold Melvin & the Blue Notes, the O'Jays, the Stylistics, the Spinners, Wilson Pickett, and Billy Paul. On October 15, CBS Philadelphia reported the property was sold to Dranoff Properties, which will demolish the building to make room for a condo and hotel. In House of Hits, Andy Bradley and Roger Wood chronicle the fascinating history of Gold Star/SugarHill, telling a story that effectively covers the postwar popular music industry. Ed Rendell with Kenny Gamble and Leon Huff. began playing and recording on their own, releasing their eponymous . Found inside – Page 104With real-life lyrics and lush song arrangements, producers and songwriters Kenny Gamble and Leon Huff, who were recently inducted into the ... The studio has been enhanced with the latest computer technology. efforts began decades ago. But on the heels of a pandemic, remaining independent and . "When me and Huff first got together," Kenny remembers, "the first time we wrote, we must have wrote ten songs. Found inside – Page 467The fact that they had experience gave Gamble and Huff's young company, called Gamble Records, a leg up. ... The recording served as the debut of producer/arranger Bobby Martin, a talented but unheralded studio presence with lots of ...

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